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Overview & Creative Team Directed by Anurag Basu , Metro… In Dino  marks the spiritual successor to his 2007 ensemble hit Life in a… Metro . Produced by T‑Series and Anurag Basu Productions, the film unfolds four interconnected love stories set across Mumbai, Delhi, Kolkata, and Bengaluru, exploring romance in its many shades — from youthful passion to rediscovered late‑life love. The film features a star-studded cast: Aditya Roy Kapur, Sara Ali Khan, Pankaj Tripathi, Neena Gupta, Anupam Kher, Fatima Sana Shaikh, Ali Fazal, Konkona Sen Sharma, Saswata Chatterjee, among others . Music That Speaks to the Soul Renowned composer Pritam  reunites with Basu since Life in a... Metro , crafting a soundtrack of nine songs—including reprise versions. Critics praise the nostalgia invoked by heartfelt melodies, though some fans miss the iconic voice of the late KK . KG’s review described it as “dragging me into a parallel world where love is real, raw, magical, yet heartbreaking,” while others note the music as an emotional anchor to the film’s core. Early Buzz & Reviews Heartwarming & beautifully shot : First reviews rate it around 3.5/5 , calling it “heartwarming and nicely shot,” and note that some parts are slow but overall offer a satisfying emotional journey Emotional resonance : ABP Live  hails it as “an emotional experience — one that soothes, surprises, and stays with you” Clever hyperlinking : Early reactions applaud Basu’s signature hyperlink storytelling style—winding together diverse narratives while celebrating urban love Areas of Critique Some comments shared on The Great Indian Kapil Show  and social reactions suggest that patchy writing  occasionally diminishes the chemistry of the ensemble, though the camaraderie shines through . Trailer discussions echo that while the visuals and stories impress, the music doesn’t fully match expectations set by the predecessor  Final Verdict Metro… In Dino  emerges as a loving tribute to modern relationships , blending various phases of love—from Gen Z romantic dilemmas to elderly rediscovery—into a richly emotional urban tapestry . With its seasoned ensemble and meaningful performances, it’s being positioned as a must-watch for fans of heartfelt, slice-of-life dramas.

Santosh Singh  is among the most quietly powerful filmmakers working in Hindi cinema today. His films don’t scream; they whisper. They don’t chase spectacle; they return to the core of storytelling—emotion, stillness, and human connection. With Aankhon Ki Gustaakhiyan  (releasing July 11, 2025), Singh delivers what might be his most refined and emotionally resonant work to date: an adaptation of Ruskin Bond’s short story The Eyes Have It . At just six pages long, the source material is fragile, poetic, and sparse—yet Singh transforms it into a full-length romance that feels both sweeping and intimate. Starring Vikrant Massey as a visually impaired musician and Shanaya Kapoor in her debut as a spirited theatre actor, the film is set against the twin backdrops of Mussoorie’s monsoon-soaked mist and Mumbai’s solitude. It’s a story built on what’s felt more than said—crafted with visual grace, quiet confidence, and deep emotional intelligence. What makes Santosh Singh’s ascent remarkable is how grounded it is in hard-earned experience. Before stepping into the director’s chair, he spent years shaping his craft behind the scenes—working as an assistant director on some of India’s most iconic films. From the emotional realism of Wake Up Sid  (2009) to the high-energy ensemble of Yeh Jawaani Hai Deewani  (2013), and the complex emotional layering in Ae Dil Hai Mushkil  (2016) and Brahmastra: Part One – Shiva  (2022), Singh was embedded in productions where story and scale had to co-exist. These were not passive years. They were foundational. He studied rhythm, staging, and silence. And perhaps most crucially, he learned how to trust actors. That apprenticeship now shows in every frame he directs. While others look to dominate the screen, Singh finds meaning in letting characters breathe. His first major breakthrough came with Broken… But Beautiful  (2018), a web series that redefined on-screen heartbreak for the streaming generation. Singh’s treatment of grief, romance, and unresolved longing resonated with a digital audience starved for sincerity. From there, he pivoted to thrillers and political drama with Apharan  and Ranneeti: Balakot and Beyond , expanding his canvas while retaining his emotional signature. But even in those high-stakes environments, Singh never lost his core strength: empathy. His camera lingers where others cut away. He’s more interested in what a pause reveals than what a line explains. That approach carries over into Aankhon Ki Gustaakhiyan , a film that feels both old-world and urgently modern. It’s cinematic romance without cliché, literature without pretension, and performance without noise. Central to Singh’s craft is his relationship with actors. He’s known to rehearse patiently, to explore scenes rather than dictate them, and to trust intuition over formula. His casting of Vikrant Massey wasn’t a default—it was a decision based on belief. “Only I see him as a romantic hero,” Singh once remarked, and that conviction is felt in every scene. Likewise, his choice to cast Shanaya Kapoor—far from a shortcut or industry favor—was the result of four months of auditions, workshops, and character preparation. He didn’t hand her a role. He asked her to earn it. And by all early accounts, she did. On Singh’s sets, acting isn’t manufactured; it’s discovered. He doesn’t extract performances. He creates space for them. What distinguishes Santosh Singh from many of his contemporaries is his restraint. In an era obsessed with virality, volume, and velocity. Singh is taking his time—slowing cinema back down to a human pace. Aankhon Ki Gustaakhiyan  doesn’t arrive as a product to consume, but as an experience to dwell in. With music by Vishal Mishra and Joel Joe Crasto weaving through its emotional fabric, the film is already generating quiet excitement for its sincerity, tone, and chemistry. Singh isn’t just bringing back the love story—he’s reintroducing us to the language of feeling. In every way that matters, Santosh Singh is the kind of filmmaker Hindi cinema needs right now: focused, thoughtful, and deeply human. His past informs his present, but never limits it. He understands the machinery of big films but resists their excess. He trusts the audience’s intelligence, honors the actor’s craft, and leans into the poetry of cinema rather than its noise. With Aankhon Ki Gustaakhiyan , he isn’t launching a blockbuster—he’s offering a love letter. One written in silences, sincerity, and soul.

The makers of Aankhon Ki Gustaakhiyan recently unveiled a warm trailer of the upcoming musical love story, starring Vikrant Massey and Shanaya Kapoor. In addition to the cast and crew, the grand trailer launch event witnessed the presence of the unique mind behind the film, Mansi Bagla, who added magic as the film's writer and producer. At times when filmmakers often find comfort in casting experienced actors, Mansi Bagla ditched the comfort and introduced Shanaya Kapoor to the movies, offering her the space to register an impactful debut. As Aankhon Ki Gustaakhiyan is presented by Mini Films, it served as a perfect launchpad for the debutant and also added grandiosity at the film's trailer launch event. Carrying the essence of Bollywood's OG romantic era, the mesmerizing trailer is receiving positive reception not only from the audience, but also from established Bollywood personalities. Several actors and filmmakers, including Anil Kapoor, Karan Johar, Abhishek Bachchan and others gave huge shoutouts to Shanaya Kapoor, Vikrant Massey and the whole team of Aankhon Ki Gustaakhiyan. They hailed the efforts behind creating this magical love story and also talked about bringing together a stellar cast onboard. With Aankhon Ki Gustaakhiyan, writer, producer, and creator Mansi Bagla brings a perfect monsoon watch that carries the tenderness of love, warmth, instant connection, first chance encounter and balances it well with heartbreak and betrayal. The overall appeal of this magical piece is enhanced manifold by its soulful musical score by Vishal Mishra. Presented by Zee Studios and Mini Films, and produced by Mansi Bagla and Varun Bagla, Aankhon Ki Gustaakhiyan is directed by Santosh Singh, written and created by Mansi Bagla, with music composed by Vishal Mishra. Starring Vikrant Massey, Shanaya Kapoor, and Zain Khan Durrani, this romantic musical makes for a perfect monsoon watch in cinemas on 11th July 2025.

On the surface, Imtiaz Ali’s latest short film “Earthing” , released for World Environment Day 2025, may appear like just another awareness campaign. But give it three minutes of your attention, and you’ll realize—it’s a quiet revolution. Featuring Ajay Devgn and Sharvari, and backed by the Bhamla Foundation in collaboration with the BMC and Ravin Group, this film is a masterstroke in cinematic subtlety and environmental urgency. “Earthing”  doesn’t rely on high drama or shocking statistics. It relies on stillness. Ajay Devgn plays a man disconnected—not from technology, but from the ground itself. Sharvari, in contrast, is present, grounded, in touch with nature. Through their silent interaction, the film draws a stark contrast between our increasingly artificial lifestyles and the innate peace of nature we’ve abandoned. As Sharvari quietly lays out a mat and sits on the grass, barefoot, Devgn hesitates before following her lead. The act of touching the earth with your feet becomes symbolic—of surrender, of reconnection, of beginning again. This simple moment captures the film’s core message: To heal the Earth, we must first touch it again. Mumbai’s Environmental Crossroads The film’s message lands even harder when viewed through the lens of Mumbai’s current environmental reality. Once called the “City of Dreams,” Mumbai today is at a crossroads—between unrestrained urbanization and the urgent need for sustainable living. From the loss of mangroves to deteriorating air quality, the signs are everywhere. The Brihanmumbai Municipal Corporation (BMC)’s involvement in the film is significant. It represents an acknowledgment that healing has to be systemic, and it has to start now. The film subtly aligns with current movements in Mumbai to reduce plastic use, increase green cover, and promote waste segregation. But public participation remains inconsistent. Earthing  reminds us that environmentalism isn’t just the government’s job—it’s ours too. Go Green, But Start Small The film doesn’t preach sweeping reforms. Instead, it suggests that the first act of environmental healing is deeply personal. Start by removing your shoes. Sit in the grass. Let your feet touch the soil. Feel the Earth again. In that simplicity lies power. This is not just about symbolic action—it’s about recalibration. When we slow down, when we ground ourselves, we begin to respect nature more intuitively. From there, green habits—reducing waste, refusing plastic, conserving water—can become a way of life. In a country where 70% of waste goes untreated and cities like Mumbai are grappling with shrinking green spaces, a film like Earthing  is more than timely. It’s necessary. Imtiaz Ali, known for his soulful narratives, delivers a gentle but insistent push toward personal environmentalism. Ajay Devgn and Sharvari don’t speak that much in the film—but their silence echoes louder . It asks us: When was the last time you touched the Earth—not with your shoes, but with your soul?

A wave of excitement has swept across the internet with the release of "Namit Malhotra's Ramayana: The Introduction" on the "World Of Ramayana" YouTube channel. This first look into the highly anticipated film, helmed by acclaimed director Nitesh Tiwari , offers a tantalizing preview of what is destined to be a monumental cinematic experience. The project, spearheaded by producer Namit Malhotra , also hints at a powerhouse cast, with superstars Ranbir Kapoor  and Yash  headlining the epic tale. A Divine Musical Collaboration The soul-stirring score showcased in the introductory video is the result of an unprecedented collaboration between two musical legends: Hans Zimmer  and AR Rahman . Zimmer, the Oscar-winning composer behind the iconic soundtracks of films like "Inception" and "The Lion King," joins forces with the Mozart of Madras, AR Rahman, whose music for "Slumdog Millionaire" captivated the globe. This partnership of Eastern and Western musical sensibilities promises a soundtrack that will be both epic in scale and rich in emotional depth, perfectly complementing the grandeur of the ancient epic. Visionary Production and World-Class Visuals The breathtaking visuals are being crafted by a team of industry-leading production houses, ensuring a visual spectacle of the highest order. The film is produced by Prime Focus Studios , in association with Monster Mind Creations  and the eight-time Academy Award-winning VFX powerhouse, DNEG . This collaboration guarantees that the world of the Ramayana will be brought to life with stunning realism and artistic flair, setting a new benchmark for visual effects in filmmaking. With a visionary director, a dream team of musical composers, world-class production partners, and a stellar cast, "Namit Malhotra's Ramayana" is poised to be more than just a film; it's an event. This introductory video is a powerful statement of intent, and it has left audiences worldwide eagerly awaiting a cinematic journey into the heart of one of history's greatest stories.

The Bhamla Foundation  has once again rolled out its flagship World Environment Day 2025 campaign , and this year, it’s bigger, bolder, and backed by some serious Bollywood clout. Leading the charge is Ajay Devgn , stepping into the role of an environmental champion. Not far behind is Imtiaz Ali , bringing his signature storytelling brilliance to craft a campaign that promises not just awareness—but action. At the heart of it all is  Asif Bhamla , the unstoppable force behind the Foundation. For over two decades, Asif has been blending advocacy with accessibility, turning climate conversations into community movements. He understands that to get India talking about the environment, you need emotion, energy, and, yes, a little bit of star power. But this isn’t a one-man show. The next-gen spirit of the foundation is being championed by Saher Bhamla , who represents a younger, socially-conscious India. Saher’s voice brings a fresh perspective to the cause—bridging the gap between Gen Z and green goals. Her presence ensures that this isn’t just a legacy movement—it’s a living, evolving mission . This year’s campaign, creatively helmed by Imtiaz Ali, tackles the menace of plastic pollution —from microplastics in our food to garbage-filled rivers in our cities. It’s a crisis that needs cinematic scale and grassroots grit. And that’s exactly what this collaboration delivers. Why This Campaign Stands Out: It’s easy to slap a celeb face on a poster and call it awareness. But what makes this campaign different is its integrity and intentionality . With Asif’s leadership, Saher’s youthful energy, Ajay’s credibility, and Imtiaz’s storytelling—a genuine, multi-generational movement is taking shape. Whether it’s school activations, digital pledges, or city-wide cleanup drives, the Bhamla Foundation ensures that every piece of communication comes with a call to action . It’s not just about caring—it’s about doing . Conclusion: This World Environment Day, Bollywood isn’t just performing—it’s participating. With Ajay Devgn lending his gravitas , Imtiaz Ali crafting the narrative , and the Bhamlas anchoring the mission , we might just witness a real shift in how India talks—and acts—on the environment. Let’s not treat this as a seasonal campaign. Let’s treat it as the pilot episode of a long-running series called Saving Our Planet —produced by us, the people.

Deepika Padukone has been announced as a recipient of a star on the Hollywood Walk of Fame, class of 2026—becoming the first Indian actor to receive this honour in the Motion Pictures category . The announcement was made by the Hollywood Chamber of Commerce via live-stream, placing Padukone alongside global figures such as Emily Blunt, Timothée Chalamet, and Rami Malek. This recognition underscores her growing impact on international cinema and culture.] Padukone’s journey—from acclaimed performances in Indian films like Padmaavat  and Piku  to her Hollywood debut in xXx: Return of Xander Cage —reflects a rare blend of global appeal and artistic integrity. Beyond the screen, her advocacy for mental health and her work with The Live Love Laugh Foundation have further amplified her voice on the world stage. This milestone is not just a personal achievement but a significant moment for Indian cinema. It reflects a broader shift in global entertainment—where talent transcends borders, and diverse voices gain long-overdue recognition. As she joins the Walk of Fame, Deepika Padukone stands as a symbol of cultural crossover, professional excellence, and the expanding global footprint of Indian artists.

As the first half of 2025 concludes, one fact is undeniable: Akshay Kumar remains one of Indian cinema’s most bankable and versatile stars. With three significant releases — Sky Force , Kesari Chapter 2 , and Housefull 5  — Kumar has demonstrated remarkable range and enduring box office power, reaffirming his dominance across genres. A Year That Began in the Skies Sky Force , released in January, marked a high-octane start to the year. Set against the backdrop of the 1965 Sargodha airstrike, the aerial action drama aimed to blend patriotism with spectacle. While the film received a mixed critical response, it still managed a respectable global collection of approximately ₹144 crore, underlining Kumar’s ability to draw audiences even in mid-tier outings. ' A Stirring Courtroom Sequel In April, Kesari Chapter 2  offered a distinct tonal shift. Portraying famed barrister Sankaran Nair, Kumar stepped into a more grounded and emotionally charged role, addressing the fallout of the Jallianwala Bagh massacre. Critics praised his performance for its restraint and conviction. The film performed well commercially too, with collections hovering around ₹142–144 crore globally, earning it a "hit" status by industry metrics. Comedy and Commercial Supremacy Then came Housefull 5  in June — a return to Kumar’s comedic roots in one of Bollywood’s most commercially successful franchises. Set aboard a cruise ship, the film capitalized on high pre-release anticipation. It surpassed advance booking figures of Kesari Chapter 2  and went on to earn ₹54 crore within its opening weekend alone. As of now, it stands as the third biggest Hindi film of the year and the sixth highest-grossing film of Kumar’s career. The film's success illustrates not only the strength of the Housefull  brand but also the actor’s continued appeal in ensemble comedies. What makes Akshay Kumar’s 2025 performance noteworthy is not just the financial success of these films but their diversity. From military valor to legal drama and slapstick entertainment, he has shown an ability to shift personas and tones with ease. This adaptability is rare, particularly in an industry where typecasting often limits longevity. Moreover, in an era of fragmented audiences and shifting viewing preferences, Kumar’s theatrical draw continues to defy trends. His films have consistently pulled in both mass-market viewers and family audiences, ensuring wide demographic appeal.

The trailer of Aankhon Ki Gustaakhiyan is out, and the recently held trailer launch event witnessed the presence of Vikrant Massey, Shanaya Kapoor, the film’s writer, producer and creator, Mansi Bagla, along with Varun Bagla and others. During the press conference, Mansi Bagla delved into the film’s warm theme and gave a peek into the mesmerising love story. Talking about the film’s theme, producer, writer, and creator Mansi Bagla shares, “I believe love can never go wrong, and when it’s true love, it happens organically. Love should be authentic and simple. We often talk about reaching for the moon and stars, but love isn’t about grand gestures like that. It’s really about understanding, and that’s the most important part. Love is the simplest emotion, yet also the most difficult to navigate.” In addition to this, Vikrant Massey shared his experience of working in his first romantic musical film. “When I started my career, the kind of films that inspired me to become an actor were slightly offbeat. As my career progressed, I never really got the chance to do a unique romantic film. So I knew I had to challenge myself. When Mansi brought this script to me along with Varun, I felt this was the right story at the right time in my journey. I’m also grateful to Mansi for portraying the blind community not with pity, but with dignity and that truly moved me,” he shared. Aankhon Ki Gustaakhiyan is poised to bring back the OG essence of Bollywood’s romance. The trailer offers a peek into a romantic musical that brings together love, heartbreak, and betrayal. Vikrant Massey steps into a romantic zone for the first time and promises to make the audience feel the purity of love. Debutant Shanaya Kapoor brings a sense of depth and ease to her role, making it look very natural. In addition to this, the film’s romantic appeal is enhanced by the soulful musical score, created by Vishal Mishra. Presented by Zee Studios and Mini Films, and produced by Mansi Bagla and Varun Bagla, Aankhon Ki Gustaakhiyan is directed by Santosh Singh, written and created by Mansi Bagla, with music composed by Vishal Mishra. Starring Vikrant Massey and Shanaya Kapoor, this romantic musical makes for a perfect monsoon watch in cinemas on 11th July 2025.

In July 2025, Agoda launched its latest campaign with a refreshing new face of stress relief: Ayushmann Khurrana as the exuberant Mr. Vacaywala . The campaign, titled “Escape the Stress, See the World for Less,”  cleverly positions travel not as a luxury, but as an essential remedy for modern-day burnout. Ayushmann plays a dual role — first, a frazzled office-goer drowning in meetings and deadlines, and second, his sun-kissed, tropical-shirt-wearing alter ego who arrives just in time to offer the cure: a well-timed, affordable getaway through Agoda. With humor and charm, the campaign taps into a reality that many urban Indians relate to — the mounting pressure of everyday life and the growing need for mental reset. Ayushmann Khurrana’s Relatable Persona The casting of Ayushmann Khurrana is strategic. Known for his ability to embody the everyday Indian professional with wit and vulnerability, Ayushmann lends credibility to the message. As Mr. Vacaywala, he doesn't preach — he invites. His performance adds warmth and relatability, making the character feel less like a fictional gimmick and more like an aspirational version of ourselves. His real-life association with packed film schedules and constant public attention makes him a believable spokesperson for the importance of taking a break. In this context, Mr. Vacaywala becomes not just a character, but a representation of the escape we all crave. Travel as an Anti-Stress Prescription At the core of the campaign is a sharp insight: more than ever, travel is being viewed as self-care. Rather than positioning vacations as once-in-a-year indulgences, Agoda reframes them as regular, affordable, stress-busting necessities. The emphasis is not on luxury but on accessibility  — the idea that everyone deserves (and can afford) to step away, reset, and return renewed. With over five million global properties and competitive pricing, Agoda backs its message with practical value, making the idea of spontaneous travel both aspirational and achievable. Humor and Urban Appeal The campaign is visually rich and tonally light, using comedy to underscore serious truths. Scenes begin in chaotic workplaces or stressful social settings before flipping to vibrant, serene escapes. This contrast — between tension and tranquility — reinforces the central message: your peace of mind is just a booking away. By anchoring the narrative in familiar Indian contexts and using colloquial humor, the campaign resonates strongly with young urban professionals — the demographic most in need of a break, and most likely to act on impulse. The Bigger Picture Agoda’s campaign arrives at a time when conversations around burnout, hustle culture, and mental wellness dominate public discourse. In that landscape, Mr. Vacaywala becomes more than a marketing gimmick — he’s a symbol of permission. Permission to pause. Permission to choose joy. Permission to see travel not as an escape from life, but as a vital part of living well. In redefining travel as wellness, Agoda not only differentiates itself in a crowded market but also speaks directly to a cultural shift that’s here to stay. This isn’t just about bookings — it’s about balance. And Mr. Vacaywala, with his laid-back wisdom, makes the case beautifully.

Team Black Films is a Instagram/YouTube group specializing in punchy, drama-filled short films. Founded by Sanju Sehrawat , a self-made creator from Delhi, the group blends emotion, humor and moral twists in each 3–6 minute video. Sanju – described as “a young and iconic video creator” with “creativity in videos [and] conceptual brilliance” – built a massive following (millions of subscribers and followers) with heartfelt stories and motivational themes. Under his leadership, Team Black Films (often abbreviated TBF) started as a Facebook page (“TBF”) and has grown into a multi-platform studio. The team’s hallmark style is consistent: relatable social scenarios (marriage drama, family conflicts, teen issues) told with high energy, strong characters, and a clear moral or emotional payoff. Meet the Team Sanju Sehrawat directs scenes for Team Black Films.  As director, writer, and actor, Sanju is the creative force behind TBF. At just 26 he already has over 2.1 million YouTube subscribers on his personal channel and millions of Facebook followers. His passion is “never [being] complacent” – he focuses on stories that uplift and inspire. Standing by his motto “do what 99% aren’t doing,” Sanju continually pushes to keep the content fresh and authentic. He even branched into music video production – his first Haryanvi song direction racked up nearly 2 million  views online – showing Team Black’s reach beyond just shorts. Sanju is known for casting his circle of co-creators in each video; he’s often the narrator or lead, guiding the story. Key cast members from Team Black’s recurring ensemble. Actress Riya Mavi  is one of the brightest stars in the group. A model-turned-YouTuber, Riya launched her own channel in 2019 and now has hundreds of thousands of fans. She boasts over 500,000 Instagram followers thanks to her engaging performances and “Sugar Hugs” persona. Riya often portrays the caring daughter or the strong heroine in TBF shorts, bringing warmth and sincerity to dramatic scenes. Other regulars include Sagar Kuhard  and Manish Jangra , both young actors who play dynamic roles (comedic or dramatic) across sketches. Swara Chauhan and Isha Kaloya are two of the popular female leads; they bring style and flair to the group’s videos. (Swara is a Delhi-born model and influencer, and Isha a TV actress known for her vibrant onscreen presence.) Deepanshu Yadav is a notable alumni – he contributed to earlier viral clips, helping to establish the Team Black brand. Together, this ensemble of creators appears again and again, giving fans familiar faces to follow in each new story. Creative Style and Storytelling Team Black Films’ creative approach is simple but powerful: story-driven shorts with a twist . Almost every video is a mini-drama or comedy sketch – think marital misunderstandings, surprise guests, or moral lessons – presented in an easily digestible format. For example, a common theme is family conflict: one viral clip, “Chori”  , imagines a housewife catching her husband red-handed stealing from home, leading to a funny yet thought-provoking lesson about trust. Another theme is love and loyalty: in “Shadi Ke Baad Affair”  (After-Marriage Affair), the aftermath of a secret romance unfolds with humor and drama. The team often tackles social issues too – for instance, “Nashe Ki Goli”  (The Pill of Addiction) is a cautionary tale about drug use among youth. Whatever the plot, each film follows a clear arc and usually ends on a satisfying punchline or life lesson. These creators also lean into multi-part storytelling. Several of their films are serialized with “Part 1” and “Part 2” to keep viewers hooked. By focusing on cliffhangers and relatable situations, they encourage fans to follow closely and share the next installment. Consistency is key: every video carries the unmistakable “Team Black” vibe, from the dramatic background music to Sanju’s catchphrases. This branding helps fans instantly recognize new content in their feeds, boosting engagement. As one press profile noted, Sanju’s “well thought-out content strikes a chord with people of all ages and backgrounds”. Indeed, fans often comment that these shorts reflect real life – mixing humor with values in a way that feels genuine. Reach, Influence, and Engagement Team Black Films has achieved remarkable reach on social media. Sanju’s own channels alone had millions  of followers by 2022, and the Team Black page (TBF) quickly grew to over 200,000 fans. Across YouTube and TikTok, their short films routinely rack up tens or hundreds of thousands of views  each. (For perspective, an up-to-date channel listing shows TBF’s YouTube channel with well over 200,000 subscribers.) This reach translates into strong engagement: fans comment, share, and create their own reaction videos, fueling a community. Because Team Black Films often posts multiple videos per week, they keep a steady stream of content, which helps maintain momentum in social algorithms. Beyond sheer numbers, their influence comes from emotional connection. Many followers credit Team Black with making social media feel “like a mini-theater,” and some videos spark meaningful discussions (for example on relationships or social values). The group’s success even attracted attention outside India: some short clips have been subtitled and shared internationally. Notably, the group doesn’t rely on celebrity cameos; instead, it depends on authenticity  and relatable characters. This consistency in tone – always combining a few seconds of humor with an underlying message – has proven a winning formula. Viral Hits and Fan Favorites Several of Team Black Films’ shorts have gone notably viral. Besides the earlier examples, here are a few standout titles: “Chori ”  – A husband’s clandestine theft leads to a hilarious confrontation). “Shadi Ke Baad Affair”  – The chaos that ensues when marital trust is tested after marriage. “Beimaan Policewala”  – A comedic sketch where a corrupt police officer gets an unexpected comeuppance. “Nashe Ki Goli”  – A dramatic message about the dangers of drug use. “Insaniyat”  – A family drama about empathy and kindness. Each of these videos blends a strong hook, tight scripting, and a satisfying conclusion – all within a few minutes. Often fans will quote lines (“jo bhalai karta hai vohi thappad khata hai” – “do good and you’ll get a slap”  from Chori ), showing how these clips enter the cultural lexicon. Team Black also adapts quickly to trends: for example, when a certain song or meme is trending, they may build a plot around it. By embedding their stories in the social media context (e.g. using popular music or TikTok formats), they ensure maximum shareability. Beyond Short Films: Music and More Team Black Films hasn’t limited itself to 6-minute dramas. Under Sanju Sehrawat’s direction, the team has ventured into music videos and scripted series as well. For instance, Sanju directed a Haryanvi music video (“Kaali Riffle”) that went viral, accruing on the order of 2 million  views online. This illustrates how the team leverages its storytelling skills in other formats. The group also hints at bigger projects: interviews and social media notes suggest Sanju plans to launch web series that build on the Team Black brand. Even their Instagram feed teases new song projects and behind-the-scenes footage. In short, what started as a short-film collective is branching into a full-fledged digital production hub – making music videos, concept films, and possibly longer narratives.

In a world increasingly shaped by automation and access, the essence of luxury is being redefined and I had a front-row seat to this conversation at the Design POV exposition , where Nisha JamVwal of Nisha JamVwal Luxury  hosted a grand larger-than-life champagne evening  for the design and architectural elite. Held at the iconic Jio Convention Centre , the evening was a rich sensory experience: a celebration of form, space, expression , and the lifestyle that funds it all . But beyond the visuals and the architecture, what struck me most was the exchange of ideas a meeting of minds  from India’s most celebrated architects to Mumbai’s crème de la crème: designers, industrialists, collectors, influencers, columnists, and museum directors. It was a room where aesthetic dialogue met affluence , and it was a privilege to be a part of it. Design POV: A Curated Collision of Visionaries and Brands Nisha JamVwal’s curatorial eye was unmistakable. The Design POV platform  she unveiled was not just a display it was a living, breathing ecosystem of more than 75 luxury home and interior brands , 19 iconic design firms , and a new format of art-meets-consumer storytelling . It blurred the lines between creation and consumption , between aesthetic value and investment strategy . This wasn’t your usual trade showcase. This was a living gallery , where sustainable installations  using bamboo and LED coexisted with smart-luxury bathrooms  and sculptural furniture  that straddled utility and art. It was an immersive 360-degree view into where design is headed and who is leading the way. Conversations That Matter: Who Owns Luxury in 2025? Throughout the evening, I found myself in conversations that sparked genuine reflection. Among the standout personalities was Seema Taparia , celebrated for her fine taste and cultural patronage. I also had the joy of meeting Tasim Zakaria Mehta , the brilliant Director of the Dr. Bhau Daji Lad Museum  in Byculla. Her presence brought an archival gravitas to the space reminding us that design is not just about now, but also about preservation and legacy. And of course, the formidable Shobhaa De author, editor, and social commentator added her signature sharpness to a discussion on how India’s value systems around aesthetics are evolving. But beyond the personalities, the question that floated gently through the air all evening was: Who is today’s luxury consumer?  Is luxury still the domain of the industrial elite, film stars, and generational wealth , or is it a circle expanding with new codes? In the age of Amazon interiors and IKEA design hacks , does Gen Z still dream of bespoke craftsmanship and heritage pieces or are they leaning toward a digitally informed, minimal, modular future ? My Favourite Conversations While the evening offered many illuminating dialogues, my favorite interaction was with the ever-gracious Shashi Bansal , the elegant and wise mother of Nisha JamVwal herself. Her warmth and insight left a lasting impression on me. Another deeply heartening experience was my conversation with two Israeli delegates , Mrs. Yael  and Mr. Miki . It was encouraging to witness, through candid exchange and mutual respect, the strengthening cultural and creative ties between India and Israel a friendship that found expression even in a space dedicated to design. The Value of Value Systems What I appreciated most about the event was that it wasn’t just about aesthetics it was about ethics . Are younger Indians still emotionally connected to bourgeois ideals of beauty and elegance , or is their value system shifting toward sustainability, circular design, and conscious consumption ? Do they want custom marble foyers , or are they more interested in smart-lighting ecosystems  they can add to a digital cart? Are we witnessing the rise of premium design thinking  or the ultimate blurring of lines between high design and fast retail ? Design as Identity. Wealth as Access. Many exhibits dazzled. But it was this champagne evening , hosted with such warmth and vision by Nisha JamVwal, that truly stood out. It reminded me that while platforms evolve and preferences change , clout, taste, and cultural capital  still hold immense power. In an India racing forward with ambition, the front row of luxury still belongs to those who know how to live beautifully and have the vision and means to do so .