Sriram Raghavan didn't just make a war movie; he constructed a devastating psychological study disguised as a biopic. If you left the theater thinking the climax was the tank battle, you missed the point entirely the real explosion happens in a garden chair, 30 years later. What Actually Happened? Summary:  The film pulls a bait-and-switch, saving its most lethal ammunition for a quiet conversation in Lahore. The climax isn't the 1971 Battle of Basantar—it's the 2001 reunion

If you thought the box office battles of 2025 were messy, 2026 is about to enter its villain era. We aren’t just looking at "movies"; we are staring at a lineup so chaotic it’s going to break the BookMyShow servers. From Shah Rukh Khan facing off against "hate campaigns" to the Ramayana  finally becoming a reality, the timeline is already spiralling. Forget the "pan-India" debate—2026 is about global domination. If you aren't saving money for IMAX tickets yet, the math isn't

Okay, drop everything. We need to dissect the Ikkis  trailer because the timeline is currently spiraling. Sriram Raghavan entering the war genre is a cultural reset in itself (the man gave us Andhadhun , put some respect on his name), but this trailer? It’s giving chaotic brilliance mixed with a side of "wait, is that the final render?" The hype is real because it’s a 1971 biopic, but the anxiety is also real because Agastya Nanda is shouldering a legacy that’s heavier than t

Some trailers hit your heart; others make you think. Sriram Raghavan’s “Ikkis”  somehow manages to do both and that’s exactly why everyone’s talking about it. The film, based on the life of Second Lieutenant Arun Khetarpal , India’s youngest Param Vir Chakra recipient, looks like a war drama with soul.But it also feels like a high-stakes experiment — the kind where one performance could make or break the film’s emotional core. The Trailer That Salutes and Questions Let’s star