The superhero genre has a long history of struggling with female rage, usually resolving it with a neat moral high ground where the heroine chooses mercy at the last possible second. Supergirl (2026) sets up that exact expectation with Ruthye, then takes a hard, controversial left turn by having Kara Zor-El execute Krem of the Yellow Hills herself. I went into this screening at 9 PM on a Thursday fully expecting a direct translation of Tom King's Woman of Tomorrow comic, and