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While mainstream Bollywood blockbusters and South Indian commercial spectacles are locked in a perennial box office duel, a quiet but potent movement is unfolding off-screen. It’s happening in corners of the country where stories breathe without filters — where language, gender, and geography intersect in deeply rooted, raw narratives. It’s the world of Indian independent cinema  — and in 2025, it’s commanding attention at the world’s most prestigious film festivals. From Berlin to Busan, Toronto to Sundance, six remarkable Indian films — in Bengali, Malayalam, Assamese, Marathi, and Hindi  — are preparing to leave their mark. What binds them together is not their language or genre, but their commitment to truth. To lived experience. To filmmaking that listens, observes, and resonates. Let’s take a deeper look at these standout features: 1. Baksho Bondi (Bengali) Directors:  Tanushree Das and Saumyananda Sahi Festival:  Berlin International Film Festival At first glance, Baksho Bondi  (translated as “Boxed In”) may seem like a quiet domestic story — a woman in a small room ironing clothes. But under the surface, it pulsates with the silent power of lives caught in claustrophobic routines. Directors Tanushree Das and Saumyananda Sahi craft a minimalist masterpiece that speaks volumes with silence. The film centers around a working-class woman navigating the invisibility of household labor, emotional stagnation, and subtle rebellion. There are no melodramatic arcs here — just the weight of living a life tucked away behind walls, both literal and societal. Sahi, known for his documentary work and visual poetics ( Aise Hee , Remembering Kurdi ), brings an anthropological eye, while Tanushree Das infuses the narrative with a sharp feminist lens. Together, they deliver a film that feels like a whisper — but lands like a punch. 2. Guptam or The Last of Them Plagues (Malayalam) Director:  Kunjila Mascillamani Festival:  Busan International Film Festival (upcoming) With a title as evocative as Guptam or The Last of Them Plagues , director Kunjila Mascillamani invites us into a space of myth, trauma, and suppressed memory. Set in a post-pandemic Kerala, the film traces the psychological and emotional toll of catastrophe on women’s lives — perhaps even hinting at ecological grief, generational scars, or forgotten revolutions. Kunjila, a fiercely political voice in Malayalam cinema, is known for breaking narrative convention and pushing against patriarchal structures. Her storytelling is often poetic and surreal — a blend that works beautifully in this dream-like tapestry. With a cast led by Jeo Baby  (director of The Great Indian Kitchen ) and Kani Kusruti  (who won hearts in Biriyaani ), Guptam  promises layered performances and haunting imagery. Expect this one to linger long after the credits roll. 3. Village Rockstars 2 (Assamese) Director:  Rima Das Festival:  Berlin International Film Festival When Rima Das introduced us to Village Rockstars  in 2017, the world took notice. Shot single-handedly in her village in Assam using non-professional actors, the film won the National Award and became India’s official Oscar entry. Now, Das returns with Village Rockstars 2  — a continuation of that deeply personal world. The sequel picks up with new characters but retains the same earthy texture: rural children dreaming of music, navigating poverty, loss, and joy with startling resilience. Rima Das once again wears multiple hats — as writer, director, editor, and cinematographer — crafting cinema that is intimate, immersive, and unpretentious. More than a sequel, Village Rockstars 2  feels like a return home — not just for its characters, but for viewers longing for stories untarnished by spectacle. 4. Sabar Bonda (Marathi) Director:  Rohan Parshuram Kanawade Festival:  Sundance Film Festival Set against the quiet landscape of rural Maharashtra, Sabar Bonda  (loosely translated as “Patient Bond”) tells a delicate story of love — not loud or defiant, but subtle and real. The film revolves around two men who find refuge in each other under a tree, far from the noise of societal expectations. There are no grand declarations here, just moments of vulnerability and mutual understanding. Rohan Kanawade, best known for his short film U for Usha , is among the few Marathi filmmakers boldly exploring LGBTQIA+ narratives with dignity and restraint. In Sabar Bonda , his focus is not on conflict but on connection — making this film a rare gem in queer Indian cinema. Its Sundance selection underscores the international appetite for such tender, grounded storytelling. 5. Difficult Daughters Director:  Soni Razdan Festival:  Busan International Film Festival (upcoming) Actor-turned-director Soni Razdan steps behind the camera to helm Difficult Daughters , a drama that possibly draws inspiration from Manju Kapur’s landmark novel. While plot details are under wraps, the title and Razdan’s literary inclinations suggest a layered, intergenerational story set in the backdrop of Partition or post-colonial India. Known for her elegance and emotional intelligence as an actor, Razdan brings the same qualities to her filmmaking. Her film is expected to explore the internal lives of women who carry the burden of familial expectations, historical trauma, and self-discovery. This marks an exciting directorial turn for Razdan, with Busan offering the perfect stage to debut a nuanced, feminist historical drama. 6. Homebound (Hindi) Director:  Neeraj Ghaywan Festival:  Toronto International Film Festival (upcoming) Few filmmakers working in Hindi cinema today are as emotionally intelligent and politically aware as Neeraj Ghaywan. After Masaan  and his Ajeeb Daastaans  short Geeli Pucchi , Ghaywan has cemented himself as a master of the personal-political narrative. Homebound  appears to be a story of return — to childhood friendships, to one’s village, to a part of the self long left behind. Featuring two young men and what seems to be a carefree, nostalgic bond, the film may unpack themes of caste, migration, and the ache of urban dislocation. As always with Ghaywan, expect a slow burn — where every smile, silence, and sigh is loaded with meaning. India at the Crossroads of Global Indie Cinema What makes these six films extraordinary is not just where they come from — Assam, Bengal, Kerala, Maharashtra, or Mumbai — but what they represent: a new wave of Indian cinema . One that is fearless in its form, radical in its politics, and gentle in its touch. These films aren’t trying to compete with commercial cinema. They’re doing something much harder — redefining what Indian stories look and sound like  on the global stage. And in doing so, they’re opening the floodgates for regional, queer, feminist, and working-class voices to be heard. Whether it’s Berlin or Busan, Toronto or Sundance — India isn’t just attending these festivals. It’s arriving with purpose. And this time, the world is listening.

In a landmark move poised to reshape the landscape of contemporary Indian cinema, Aanand L Rai’s Colour Yellow  and Vinod Bhanushali’s Bhanushali Studios Limited  have entered a strategic partnership, combining their strengths in storytelling and production for a slate of bold, genre-defining films. This collaboration is rooted in a shared vision: to break free from conventional narratives and champion fresh, emotionally resonant stories for the big screen. Their first offering under this multi-film alliance is Tu Yaa Main , a high-concept "date-fright" drama that blends romantic tension with psychological intrigue—an exciting deviation from the formulaic love stories Bollywood is known for. Directed by the eclectic and visually experimental Bejoy Nambiar , the film features the much-anticipated lead pairing of Shanaya Kapoor  and the critically acclaimed Adarsh Gourav  ( The White Tiger ). Their contrasting energies promise an electrifying on-screen chemistry that aligns perfectly with the film’s unique premise. Backed by an impressive team of producers including Aanand L Rai , frequent collaborator Himanshu Sharma , Vinod Bhanushali , and Kamlesh Bhanushali , Tu Yaa Main  is slated for a Valentine’s Week 2026  release—setting the tone for a fresh wave of genre cinema in India. This partnership signifies more than just a business deal—it’s a creative alliance. While Colour Yellow brings a reputation for heartfelt, emotionally rich cinema ( Tanu Weds Manu , Raanjhanaa ), Bhanushali Studios has swiftly gained momentum as a powerhouse of mainstream yet content-forward productions. Together, they are setting the stage for an era of fearless storytelling and innovative cinematic experiences. Watch out for Tu Yaa Main —where love meets fear, and tradition meets reinvention.

Renowned Bollywood actor Sharman Joshi  is making a much-awaited return to the theatrical stage with the uproarious Hindi comedy play Raju Raja Ram Aur Main . Brought to life by Piyush Sharma Productions  and presented by Aditya Birla Centre for Performing Arts , this high-energy stage show promises a night of laughter, confusion, and unforgettable entertainment. Known for his stellar performances in films like 3 Idiots , Ferrari Ki Sawaari , and Golmaal , Sharman Joshi now steps into not one but three distinct roles —Raju, Raja, and Ram—in this witty, fast-paced play directed by the acclaimed Kedar Shinde . The story is packed with twists and turns as mistaken identities, wild misunderstandings, and Joshi’s impeccable comic timing come together on stage. Piyush Sharma Productions , the powerhouse behind this production, continues its mission of reviving India’s rich theatrical tradition by blending modern sensibilities with strong storytelling. Known for delivering high-quality, crowd-pulling stage experiences, the production house has carved a niche for itself in India’s live entertainment space. With Raju Raja Ram Aur Main , they bring another ambitious and entertaining project to the fore, reaffirming their commitment to fresh, engaging content that resonates with both new and traditional audiences. The play will premiere on 27th July 2025 at 7:00 PM  at St. Andrew’s Auditorium, Mumbai West , and is already gaining attention as one of the year’s most anticipated live performances. Whether you’re a die-hard theatre fan or someone looking for a night of hearty laughs and world-class performances, this play is not to be missed. Catch Sharman Joshi live on stage in Raju Raja Ram Aur Main ! Don't miss out on this limited live performance! 🎟️ Book your seats now.

The 16th edition of the E4M Indian Digital Marketing Awards (IDMA) 2025  held in Mumbai wasn’t just a celebration of digital excellence—it was a landmark moment that brought together three influential figures from vastly different domains: actor Amit Sadh , Minister Ashish Shelar , and media leader Dr. Anurag Batra . Their shared presence on stage marked more than just a photo opportunity. It embodied the intersection of cinema , governance , and thought leadership —a rare yet powerful alignment that underscores the future of India’s digital narrative. Amit Sadh , known for his nuanced performances and deep audience connect, represented the creative soul of the event. His insights into storytelling in the digital age reinforced how platforms today demand more authenticity, emotion, and relatability from creators and brands alike. Ashish Shelar , Maharashtra’s Minister for School Education and IT, brought with him the government’s growing focus on tech-driven education, digital policy, and industry empowerment. His involvement added strategic heft, reinforcing that innovation thrives best when supported by infrastructure and governance. Dr. Anurag Batra , Chairman and Editor-in-Chief of BW Businessworld  and exchange4media , was the intellectual anchor of the night. As the driving force behind IDMA, Batra’s vision has continuously bridged the gap between media, marketing, and industry transformation. Together, their presence sent a strong message: that digital excellence in India is not the domain of one industry alone. It’s a collective journey—one that needs storytelling, policy direction, and visionary leadership. A proud moment indeed—where cinema, governance, and thought leadership came together on one stage to celebrate, inspire, and shape the next wave of India’s digital revolution.

In a landmark move that blends digital stardom with cinematic storytelling, Bhuvan Bam  is officially set to make his Bollywood debut with Dharma Productions  in the upcoming film Kuku Ki Kundali . The YouTube sensation will be seen opposite the talented and critically acclaimed actress Wamiqa Gabbi , marking an exciting new pairing in the Hindi film industry. Known for his multi-character sketches and musical work on BB Ki Vines , Bhuvan has grown from a pioneering content creator to a full-fledged entertainer with a massive fanbase across platforms. With millions of followers and multiple successful projects including his web series Taaza Khabar , Bhuvan’s entry into mainstream cinema has long been anticipated. Partnering with Dharma Productions signals a high-profile transition, positioning him as a bankable new face in Bollywood. Starring alongside him is Wamiqa Gabbi , whose recent performances in Jubilee , Grahan , and Modern Love Mumbai  have earned her accolades for emotional depth and versatility. A rising star in Indian cinema, Wamiqa brings both screen presence and experience to this fresh pairing, adding weight to what appears to be a romantic dramedy filled with charm, quirks, and contemporary storytelling. Titled Kuku Ki Kundali , the film is expected to explore themes of love, destiny, and modern relationships with a youthful, light-hearted twist. With Dharma’s signature production values and this dynamic lead pair, the project already has fans and film lovers buzzing with anticipation. This collaboration not only bridges the gap between digital and traditional entertainment but also reflects the industry's evolving landscape—where storytellers and influencers now share the same cinematic space. Stay tuned for more updates on Kuku Ki Kundali , Bhuvan Bam's Bollywood journey, and Wamiqa Gabbi's latest big-screen outing.

R. Bhakti Klein's story represents one of the most fascinating cross-cultural artistic journeys in contemporary Indian cinema. This Florida-born actor has carved out a distinctive niche in the Hindi film industry, transforming from a diverse background spanning music, education, and performance into a recognisable face in major Bollywood productions. His extensive filmography showcases his versatility in portraying Western characters, officials, and authority figures across a wide range of critically acclaimed and commercially successful films. Klein's journey from the American music scene to becoming a sought-after character actor in Mumbai demonstrates the increasingly global nature of Indian cinema and the opportunities it presents for international talent. From American Shores to Mumbai Dreams R. Bhakti Klein's path to Bollywood began far from the bustling film studios of Mumbai. Growing up in South Florida and later residing in the San Francisco Bay Area, Klein developed a multifaceted skill set that would later serve him well in his acting career. His diverse professional background reads like a Renaissance man's resume - professional singer, guitarist, writer, voiceover artist, math and science teacher, meditation facilitator, vocal coach, folk dancer, lifeguard, and even singing telegram deliverer. This eclectic mix of experiences provided him with the adaptability and performance skills that would prove invaluable in his transition to acting The pivotal moment in Klein's life came in 2009 when he made the bold decision to relocate to Mumbai, India. This move represented more than just a change of address; it was a complete transformation of his life's trajectory. Klein has described living in India as "a dream come true," reflecting the deep connection he developed with the country and its vibrant entertainment industry. His academic background in Religion from the University of Florida and Consciousness Studies from John F. Kennedy University in California provided him with a philosophical foundation that likely aided his cultural adaptation and spiritual connection to India. Klein's musical background remained an integral part of his identity even after his move to Mumbai. He continued to work as a professional singer and guitarist, performing and teaching music in the city. His passion for music extended to his identity as a devoted "Deadhead," having attended over 150 live Grateful Dead concerts featuring Jerry Garcia. This musical foundation not only enriched his personal life but also contributed to his artistic sensibilities as an actor. Breakthrough and Recognition in Indian Cinema Klein's entry into the Indian entertainment industry gained significant attention when he appeared as a contestant on season 8 of India's Got Talent in 2018 as part of the Live 100 Experience. His impressive second-place finish in the competition demonstrated his performance capabilities and likely opened doors to acting opportunities. This platform provided him with national exposure and established his presence in the Indian entertainment landscape. The actor's breakthrough role came with his appearance in S.S. Rajamouli's epic film "RRR" (2022), where he portrayed DSP Philip Green. This massive blockbuster, which gained international acclaim and won an Academy Award for Best Original Song, provided Klein with exposure to global audiences. His role as a British police officer in the period drama showcased his ability to embody colonial-era characters with authenticity and conviction. The film's success established Klein as a reliable character actor capable of handling significant productions with historical and cultural sensitivity. Following his success in "RRR," Klein's career trajectory showed remarkable momentum. His filmography expanded rapidly, with roles in critically acclaimed productions that demonstrated his versatility and growing reputation within the industry. The diversity of his roles - from historical figures to contemporary characters - illustrated his range as a performer and his understanding of the Indian film industry's requirements for Western actors. Recent Works and Expanding Filmography Klein's recent body of work demonstrates his evolution into one of the most sought-after foreign actors in Hindi cinema. His 2024 releases showcased his ability to handle diverse genres and character types. In "Swatantrya Veer Savarkar," he portrayed Curzon Wyllie, once again taking on a historical British figure. This role required him to embody a real historical personality, demanding extensive research and cultural understanding to deliver an authentic performance. His appearance in "Maidaan" (2024) as Mike Reporter allowed him to work alongside established Bollywood stars while contributing to a sports drama that celebrated Indian football. The film's focus on the golden era of Indian football provided Klein with an opportunity to be part of a patriotic narrative while maintaining his identity as a foreign actor. His role in "Baby John" (2024) as an Auctioneer demonstrated his ability to adapt to contemporary action films, while "Vedaa" (2024) saw him playing a character named Chance Klein's versatility extended to television productions as well. His work in "Freedom at Midnight" (2024) as British Minister 1 and "Mismatched" (2024) as Mr. Anderson showed his comfort across different mediums and formats. The television series format allowed him to develop characters over multiple episodes, providing deeper character development opportunities than traditional film roles. Upcoming Projects and Future Prospects The year 2025 marks a particularly prolific period for Klein, with multiple high-profile releases scheduled. His portrayal of Henry Kissinger in "Emergency" represents one of his most significant roles to date. Taking on the persona of the former U.S. Secretary of State requires extensive preparation and historical accuracy, demonstrating the trust directors place in Klein's ability to handle complex political figures. This role positions him as capable of portraying not just British colonial figures but also contemporary American political personalities. Klein's upcoming work in "Phule" (2025) as Officer Rand and "The Waking of a Nation" (2025) as Sidney Rowlatt continues his pattern of historical characterisations. These roles suggest his specialisation in period dramas and his ability to research and embody figures from India's colonial past. His casting in "Housefull 5" (2025) as Mayor indicates his expansion into mainstream commercial comedies, showing his range beyond serious historical dramas. Several projects in various stages of production, including "Vimoksh," "Nanda Devi," "Operation Safed Sagar," and "For Your Eyes Only," indicate Klein's continued demand in the industry. These upcoming releases span different genres and production scales, from independent films to major television series, demonstrating his adaptability and the industry's recognition of his value as a performer. Conclusion R. Bhakti Klein's journey from Florida musician to established Bollywood character actor represents a unique success story in the globalisation of Indian cinema. His ability to seamlessly integrate into the Hindi film industry while maintaining his cultural identity has made him an invaluable asset to filmmakers seeking authentic Western characters. With over fifteen years of experience living in India and a rapidly expanding filmography that includes some of the industry's most prestigious productions, Klein has established himself as more than just a foreign face in Bollywood - he has become an integral part of the industry's storytelling fabric. His continued success suggests that international actors who approach Indian cinema with respect, dedication, and cultural sensitivity can find meaningful careers in the world's largest film industry. Klein's story inspires other international artists while contributing to the rich tapestry of contemporary Indian cinema, proving that talent and passion can transcend geographical and cultural boundaries.

Varun Dhawan and Ahan Shetty are on the last leg of shooting for the much-anticipated war drama Border 2. A recent video shared by Binoy Gandhi captures the two actors on a flight, heading toward the climax shoot of the film. With the caption “Last Battle Loading…,” the video hints at an intense final war sequence in the making. This sneak-peek of the duo underscores the strong bond and team spirit that have been integral to the making of 'Border 2'. As the film continues its production journey, such glimpses offer fans a peek into the off-screen dynamics of the cast and crew. Backed by a powerful production team including Bhushan Kumar, Krishan Kumar, J.P. Dutta, and Nidhi Dutta, and directed by Anurag Singh, Border 2 is presented by Gulshan Kumar & T-Series, in association with J.P. Dutta’s J.P. Films. This sequel continues the legacy of honouring the heroism and indomitable spirit of Indian soldiers, taking audiences on a spectacular journey of patriotism, courage, and sacrifice. Gear up for this monumental saga of patriotism and courage, as Border 2 storms into cinemas on January 23, 2026.

Bobby Deol returns to the international spotlight with Bandar , a dark, compelling thriller directed by Anurag Kashyap. The film has been selected for the 50th Toronto International Film Festival (TIFF 2025) , marking a major milestone for Indian independent cinema. But Bandar  is not just another festival entry—it’s a story that, in the words of Deol himself, “should not have been told.” Inspired by true events and wrapped in secrecy, Bandar  represents a bold leap in storytelling, one that dares to challenge cultural silence and cinematic convention. Its journey to TIFF has been anything but easy. The Long Road to TIFF: Overcoming Creative and Systemic Barriers Anurag Kashyap is no stranger to adversity. His filmmaking career has long been marked by conflict—with censors, producers, and the industry at large. From Paanch  being shelved for years to the raw portrayal of crime in Gangs of Wasseypur , Kashyap has repeatedly pushed boundaries, often at the cost of mainstream acceptance. With Bandar , Kashyap continues that tradition. While specific production details remain under wraps, insiders suggest that the film’s controversial subject matter and unflinching tone made financing and approvals difficult. Yet the film endured. Its selection at TIFF is not just a creative win—it’s a political one. What Is Bandar  About? Bandar , which translates to “Monkey,” is symbolic of entrapment and rebellion. The film reportedly deals with individuals caught in systems of control—whether political, social, or psychological. Bobby Deol plays a brooding lead, a man driven to the edge by forces beyond his control. The film’s aesthetic is expected to be gritty, raw, and intimate—hallmarks of Kashyap’s style. Real locations, handheld camera work, and improvised dialogue give Bandar  the authenticity it needs to land a punch. Alongside Deol, the cast includes Sanya Malhotra, Saba Azad, and Sapna Pabbi—each known for their powerful, grounded performances. Bobby Deol's Career Reinvention Continues Bobby Deol’s career has undergone a remarkable transformation in recent years. From mainstream heartthrob in the 90s to a complex, layered performer today, Deol has reinvented himself in roles that embrace darkness and intensity. Bandar  is another step in that direction, offering him a character unlike anything he’s played before. His look in the film, shared on social media, sparked massive intrigue. Rugged, wounded, and haunted—his visual transformation reflects the film’s emotional weight. With Bandar , Deol is not just performing; he is immersing. Cultural Impact and Global Significance At its core, Bandar  is about truth. It's a film that deals with moral ambiguity, silenced histories, and the power of resistance. Its selection at the Toronto International Film Festival is significant—not just for the cast and crew, but for Indian cinema as a whole. TIFF is one of the world’s most respected platforms for cinematic excellence. The fact that Bandar , a film rooted in Indian socio-political reality, is premiering there proves that global audiences are hungry for stories with substance, courage, and cultural depth. What Comes Next for Bandar As part of the TIFF 2025 lineup, Bandar  will be screened in the Special Presentations category. Festival attendees and critics worldwide will get a first look this September, potentially opening doors for wider international release, critical acclaim, and even award recognition. With anticipation building, all eyes are on the red carpet premiere. Will Bandar  ignite the same global buzz that other Indian films have in recent years? The odds are in its favor. Bandar  is more than a movie—it’s a cinematic protest, a personal reckoning, and a cultural commentary wrapped in one explosive package. Directed by the ever-defiant Anurag Kashyap and led by a reborn Bobby Deol, the film is poised to shake things up—not just at TIFF, but across the global film landscape. Stay tuned for more on premiere dates, early reviews, and behind-the-scenes insights as Bandar  prepares to make its mark.

Before hashtags, before Twitter wars, and before fact-checking bots policed celebrity gossip, Bollywood had a whole different drama engine: newspaper headlines and old-school shock value. In 1995, actress Shilpa Shirodkar unknowingly became the centerpiece of one of the most unhinged PR stunts in Bollywood history. While she was filming Raghuveer  in the remote hills of Manali, a major newspaper ran the headline: "Shilpa Shirodkar Shot Dead." Imagine the chaos. Her parents panicked, unable to reach her in an era before mobile phones. Locals on set were asking if the actress in front of them was real , or just a very convincing doppelgänger. And Shilpa? She returned to 20+ missed calls and a minor national panic. The twist? It was all fake. A publicity stunt  orchestrated by none other than music mogul and film producer Gulshan Kumar  to drum up attention for Raghuveer . Shilpa, the actual person  involved, wasn't even informed. “I wasn’t angry, the film did well, but thoda zyada ho gaya,” Shilpa recalls with an amused hindsight. This incident is more than just juicy gossip—it’s a snapshot of a pre-digital Bollywood. No press releases, no PR gatekeeping, and certainly no consideration of emotional trauma. It also reveals the ethics gap  between past and present-day Bollywood promotions. Today, even a whisper of such a stunt would bring legal action, social media backlash, and an army of online sleuths exposing the gimmick. Yet, what makes Shilpa’s story iconic is not the drama—but her response. Decades later, she’s not bitter. She’s back, starring in Jatadhara , joining the circus of Bigg Boss 18 , and laughing off the insanity like a pro. Because in Bollywood, as in life, sometimes the biggest plot twist... is the promo.

What makes The Asstag  stand out in India’s cluttered comedy space isn’t just their content—it’s how they craft it. Every reel, every sketch, every series feels like it’s bursting straight out of a college corridor, a hostel canteen, or a chaotic WhatsApp group chat. Their process is equal parts method and madness, layered with a street-smart understanding of what goes viral. A DIY Studio with OTT-Level Sharpness The Asstag doesn’t rely on sprawling sets or high-end VFX. Most of their shoots are done in makeshift indoor spaces—rooms dressed up to look like bedrooms, classrooms, cafes, or family homes. But what they lack in scale, they make up for in pacing, expression, and edit-tight storytelling . Their reels are filmed and edited with kinetic energy—quick cuts, crisp dialogues, zoom-punchlines, and sudden tonal flips that grab your attention. Character-First Comedy Instead of always chasing trends, The Asstag builds characters. Whether it’s the “kalesh lover,” the “overdramatic girlfriend,” the “wannabe intellectual,” or the “bhukkad roommate”—these archetypes are exaggerated, absurd, and yet instantly familiar. They become recurring faces in the Asstag universe, allowing audiences to emotionally invest in their misadventures, episode after episode. Humor That’s Loud, Laced & Local The Asstag’s humor is unfiltered and unapologetically desi. Their sketches are filled with local slang, gully punchlines, Delhi-MP-Bihar accents, and over-the-top expressions. It’s not “clean comedy,” but it’s clever in its exaggeration. There’s a strong undercurrent of satire—mocking Instagram toxic positivity, fake deep influencers, passive-aggressive relationships, and the contradictions of Gen Z and millennial life. They don’t tiptoe around awkwardness; they dive into it. Whether it’s a girl throwing tantrums over Zomato, a guy pretending to meditate to stalk his ex, or roommates having absurd philosophical debates over Maggi—the writing keeps flipping between ridiculous and real , which is where their magic lies. Punchlines that Loop, Memes that Stick The Asstag doesn’t just write endings—they write loops . Their sketches often end on cliffhangers or punchlines that make you rewatch it immediately. This loopability, combined with meme-ready catchphrases and expressions, helps their content travel far beyond their own pages—across meme accounts, reels compilations, and WhatsApp forwards. In essence, The Asstag's flair  is in their chaos. Their videos are messy, fast, hyperreal—and that’s the point. They reflect the disorganized, emotionally charged, meme-fueled world of young Indians today. It’s not just sketch comedy. It’s a living, yelling, overthinking group chat come to life .

Songs are not just about catchy tunes, rhythms, or lyrics they’re also about the overall vibe they create. Infectious hooksteps that complement the song’s appeal make it even more attractive to audiences. Catchy choreography stays in people’s minds and builds massive recall value. On that note, here’s a look at the top 5 songs that have set the internet on fire with their hooksteps! Qatal & Sirra The addictive hooksteps of Guru Randhawa’s latest songs Qatal and Sirra have taken over social media. Alongside the tracks’ catchy lyrics and Punjabi beats, the hooksteps choreographed by Team BLM (Qatal) and Yassh Kadamm (Sirra) have inspired Guru’s admirers to create endless reels and dance videos online. Shaky Sanju Rathod’s Shaky is the latest viral sensation, thanks to its irresistible moves choreographed by Archit Warwade. With over 200 million views on YouTube, the afrobeat rhythm and viral hookstep have sent fans into a frenzy, with countless recreations across platforms. Besos Featuring Shikhar Dhawan and Jacqueline Fernandez, Besos has quickly become the new party anthem. The lively hookstep, choreographed by Piyush and Shazia, has viewers vibing and dancing, helping the song cross over 125 million views so far. Pehla Tu Duja Tu Pehla Tu Duja Tu from the upcoming film Son of Sardaar 2 is already a fan favourite. Its romantic melody paired with Ganesh Acharya’s unforgettable hookstep has sparked a hookstep challenge online, inspiring fans everywhere to join in. Rang In the film Sky Force, Veer Pahariya delivered a hookstep that went viral the moment the song dropped. Rang brings together romantic energy and high-tempo beats, making it the perfect track to hit the dance floor and recreate the step! These songs and their hooksteps have created a wildfire on social media, sparking endless recreations and dance trends. Going by the craze, it’s safe to say the spell isn’t breaking anytime soon!

From seasoned nostalgia to fresh-eyed wonder, Artistry  at Royal Opera House meant different things to different people. Here are 3 different pov's describing how the event felt to each one of them respectively. Reuben Saldanha I arrived at the venue about 10 minutes late since I was starving and had to grab a quick bite. But to my surprise (and slight irritation), the event was delayed by around half an hour. They gave us these really cool, sweet-smelling pouches, though, which was a nice touch. Eventually, we were let in, and the show began.First up: Harpreet . As a musician myself, I could tell how many years he must’ve put into his craft to sound that good. His Hindi/Punjabi blend hit the heart, and honestly, I was moved. Then came Anshu Mor —a man who left his high-paying job to chase comedy. And thank God he did. I don’t know what kind of drugs people were on calling him mid. I had a blast. Genuinely fun, sharp, and sad that his act ended so quickly. But hey, time flies when you have fun. Aditi Surana , the behavioural analyst, was next. At first, I zoned out a little, but then I reminded myself—this woman coaches big people for a reason. So I gave it another shot. And weirdly, it started making sense. Her phrase stuck with me: “Right leg, left leg, growth mode on.” Intermission hit, and we got to chat with some of the performers outside, which was a cool bonus. Then: Naman Anand , India’s top mentalist. The whole time he kept saying he wasn’t going to read our minds—we were going to read his. The balloon act? Unreal. He somehow predicted every single audience member’s dream to the word . I still don’t believe it. They had  to be in on it. Laksh Maheshwari  followed. The man speaks in poetry. Every word demanded attention. I didn’t think stories could still grip me as an adult—but he proved me wrong. Sad he got cut short due to time. I was bummed when I saw Fotty Seven  wasn’t performing but sitting on a panel. Still, the discussion—with him, Neeraj Pandey, Laksh, and another guest—was insightful. They spoke about AI’s future in music. As an aspiring artist, it gave me a lot to think about. Finally, Deveshi Sehgal  closed the night. Her voice wasn’t just good — it was transcendent. Everyone around me froze. Phones were up, sure, but even through a screen, I doubt that magic could translate. You had to be there . I walked out lighter, happier, fresher.Big props to DIY Solutions for pulling off such a magical, genre-crossing evening. Sundar Murugan So I showed up to Artistry a little annoyed. I’d rushed from college straight to the venue, hungry, mildly sweaty, and not in the mood for people standing around pretending to be too cool for music. And then it got delayed. By half an hour. I was ready to check out mentally. But once we were finally seated, everything changed. Harpreet came on first—and man, that dude is stillness . Not just a singer—he’s like that one calm friend who doesn’t speak much but when he does, you listen . His vocals had this emotional weight, and as someone who edits audio as a hobby, I couldn’t stop thinking about the texture in his tone. Then, Anshu Mor. I didn’t know what to expect—stand-up comedy in between musical acts felt kinda random. But I loved him. His bit about office culture and social media influencers had me legit wheezing. Plus, there’s something powerful about seeing someone walk away from corporate life to chase a mic and spotlight. Mad respect. Aditi Surana came up next. At first, I’ll be honest—I zoned out. I thought it’d be one of those motivational talks with big words and no real impact. But then she said something about how “you can’t sprint with the wrong shoes and expect a marathon win.” That line hit. Especially since I’ve been feeling burnt out lately. It made me sit straighter in my seat. The break was chill—we walked around, I bumped into one of the lighting crew and asked about their rig. Total geek moment. Then came the guy —Naman Anand. Bro. I don’t even know what to say. The way he played the crowd, built suspense, and then that balloon trick?? How the hell did he do that? I looked around, waiting for someone to say it was staged. No one did. Laksh Maheshwari walked up next. I’d seen clips of his poetry online but live? Different beast. His delivery is like watching a movie without visuals—he paces, he pauses, he breathes  the words. And when he started talking about how stories are memory’s echo? I felt that. I was hoping Fotty Seven would perform but yeah, it turned into a panel. Still, the convo around AI and creativity was fire. It’s scary but exciting, and hearing them break it down made me rethink how I want to write scripts in the future. And then came the closer—Deveshi Sehgal. No cap, she transported us. Her voice didn’t just fill the hall—it lifted it. Chhaap Tilak  was haunting in the best way, and by the time Dama Dam Mast Qalandar  hit, people weren’t watching—they were participating. I walked in cranky. I walked out inspired. Like I’d been around artists who weren’t trying to perform at us, but with us. Artistry lives up to its name. Props to DIY Solutions—y’all gave a broke film student a night to remember.” Vishal Waghela 18th July, Royal Opera House, Mumbai Walked into Artistry  not really knowing what to expect. The night kicked off with Harpreet—more than just a singer, the guy glides. He brought this calm energy into the room, and when he did that little soft dance at the end? The whole stage lit up. Then came Naman, the mentalist. People were visibly stunned. We actually found him outside after and asked if it was all set up. The person he picked was still dazed. Naman just smiled and said, “I don’t know what happened.” You’ve got to see Naman Anand in action to believe it. Next was Anshu Mor. He’s clearly experienced, knows how to work a crowd. For me, the jokes didn’t fully land, but I get why people enjoy his style. I was pretty hyped to see 47 perform, but it turned out to be a panel with Neeraj Pandey, 47, Laksh Maheshwari, and one more guest whose name I missed. Unexpected, but honestly? Still engaging. Laksh Maheshwari stood out. He doesn’t just speak—he sets a scene. Every line felt like it came with mood lighting. His storytelling, cadence, recall—all on point. And when he and Anshu started talking about Tamasha ? That moment hit home. That film means a lot to me, so yeah, that stuck. Then came a surprise slot—Aditi Surana. It was a mix of a pep talk and mental coaching. Not what I expected in the lineup, and while it didn’t fully land for me, it added a thoughtful layer to the evening. But the real highlight? Devashi Sehgal. She started slow, picked up steam, and then exploded . She and her crew completely owned that stage. Chhaap Tilak  changed the energy of the room. By Dama Dam Mast Qalandar , I swear the roof was ready to lift. Her vocals, her presence, the lighting—chef’s kiss. Overall? Clean transitions, good energy, and a lineup that actually felt curated.Big respect to DIY Solutions for pulling off an evening that felt like a true love letter to live performance. Whether you came in as a skeptic, a seeker, or simply along for the ride, Artistry had a way of catching you off guard. For some, it stirred nostalgia; for others, it sparked ideas. But by the end of the night—whether you were 20, 80, or somewhere in between—one thing was clear: this wasn’t just a show, it was an experience. One that stayed with you long after the lights came down. Hats off to DIY Solutions for curating a night that felt both personal and electric. The Team Of Alt Bollywood with Laksh Maheshwari