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Their first collaboration —‘Bichadna’ is releasing on 4th August 2025 T-Series, India’s leading music label known for identifying and nurturing exceptional talent, has joined hands with singer-composer-songwriter Faheem Abdullah — the voice behind the chart-topping hits Ishq and Saiyaara. Faheem has been making a strong mark in the independent music scene and now in film music as well, with his growing popularity reflected in chart performances and audience response. In this new association, T-Series will collaborate with Faheem on a range of upcoming projects — spanning film songs, singles, albums, and EPs. The partnership aims to further amplify his reach and take his music to new heights, breaking records and crossing borders. Hailing from Kashmir, Faheem brings the rich essence of his homeland into his music, blending soulful storytelling with a unique cultural depth. He has also been instrumental in working with fellow artists from his region, providing them a platform to explore their talent and connect with wider audiences. "What truly impresses me about Faheem is the honesty in his music. His vocals have a rare uniqueness that stands out in today’s landscape. With audiences already connecting deeply to his sound, this collaboration will allow us to bring a fresh and soulful flavor to listeners everywhere," said Bhushan Kumar, MD of T-Series. "I feel blessed and honoured to be joining hands with T-series. All these years in my hometown, I have always looked at T-Series as the pinnacle of music, and now collaborating with Bhushan Sir on multiple future projects is both an honour and an exciting new chapter for me. This partnership not only opens new doors for me in my artistic journey but gives me the oppurtunity to bring fresh talent from my homeland onto a global stage.," shared Faheem. This collaboration marks a promising new chapter — uniting Faheem’s authenticity and lyrical strength with the global scale and impact of T-Series.

If you’re sipping matcha and hoping to spot a star, these are the places to be. From cozy bungalows to sleek matcha bars, Mumbai’s café culture is catching the green wave and so are Bollywood’s most stylish celebrities. Whether you’re a matcha aficionado or just in it for the ’gram, these five cafés deliver both flavor and famous faces. 1. 💚 Blondie, Khar West Run by the Bastian Hospitality group (yes, Shilpa Shetty’s team), Blondie is Mumbai’s first matcha-dedicated bar — and it’s already a celebrity hotspot. • Vibe: Sleek, modern, very LA. Pet-friendly too. • Must-Try: Ceremonial Matcha Latte, Mango Matcha Iced Latte, Dreamy S’mores Matcha • Celeb Buzz: Shilpa Shetty herself launched it; paparazzi love this spot. • Cost: ₹1,600 for two ⸻ 2. 🧇 Scarlett House, Pali Hill (Bandra) Malaika Arora’s passion project, this 90-year-old restored bungalow is a café, brunch dream, and quiet celeb hangout all in one. • Vibe: Vintage, cozy, “Pinterest home come to life” • Must-Try: Matcha Waffles with Pistachio Cream & Candied Lemon • Celeb Buzz: Co-owned by Malaika, often hosts her wellness crew • Cost: Premium, fine-dining style ⸻ 3. 🍵 Tokyo Matcha Bar, Bandra West Mumbai’s first all-matcha café — every drink on the menu is a love letter to Japanese green tea. • Vibe: Zen, minimalist, bamboo & concrete interiors • Must-Try: Sea Salt Matcha Frappé, Honey Matcha Iced Tea • Celeb Buzz: Influencers and fitness-focused stars swear by it • Cost: ₹600 for two ⸻ 4. 🧊 Mokai, Bandra West This Gen Z-approved café has high ceilings, big energy, and some of the best iced matcha in the city. • Vibe: Industrial-chic, high on natural light • Must-Try: Iced Vanilla Matcha • Celeb Buzz: Often spotted in influencer stories and soft paparazzi drops • Cost: ₹900 for two ⸻ 5. 💅 Boojee Café, Perry Cross Road (Bandra) Don’t let the pastel walls fool you — this café serves serious matcha and attracts the cool crowd. • Vibe: Fun, feminine, Instagram-worthy • Must-Try: Classic Matcha Latte, Vegan Matcha Donuts • Celeb Buzz: Khushi Kapoor and Fatima Sana Shaikh have been spotted here • Cost: ₹1,200 for two ⸻ 📍 Mumbai is finally getting its green fix — and Bollywood’s leading ladies are already ahead of the trend. Don’t say we didn’t warn you when you bump into your favorite star sipping on a sea-salt matcha.

Raj Kundra might just be scripting one of the boldest pivots in Bollywood. Once known more for paparazzi controversies than performances, he’s now stepped into the sacred turban of Karamjeet Singh  for his new film Mehar . And he’s not treating it like a role—he’s treating it like a life reset. Mehar: A Cultural Reset for Raj Kundra In his social media post unveiling the Mehar  poster, Kundra wrote about embodying the values of Seva (selfless service), Sabhar (patience), and Sikhi (Sikh spiritual discipline). The film follows a Punjabi man navigating family and faith through quiet strength. It’s clear from his words: this isn’t just a performance—it’s a personal pilgrimage. Raj’s post reads less like a PR caption and more like a thank-you note to life. He thanks everyone, from co-actor Geeta Basra to light technicians, and calls director Rakesh Mehta the one who “helped me discover a side of myself I didn’t know existed.” Bollywood’s New Archetype? The Cultural Hero This transformation plays into a wider trend in Indian cinema—actors embracing regional identities not just for box office reach, but for personal credibility. With audiences now seeking authenticity over aesthetic, Kundra’s turn as a rooted, value-driven Sikh protagonist is clever and  culturally impactful. Plus, Mehar  isn't a gimmick. It brings together a powerhouse Punjabi cast including Baninder Bunny, Savita Bhatti, and lyricist Sony Thulewal—ensuring regional storytelling stays nuanced and respectful. Conclusion Raj Kundra’s message ends with “ Mehar is not just a film. It’s a blessing. ” Whether the audience sees it that way remains to be seen when the film hits theatres on September 5, 2025 . But one thing’s for sure—this isn't just Raj playing a Sikh man. It’s Raj trying to become one, in spirit. And in the chaotic content wars of Bollywood, that sincerity might just win.

Born just a day apart on 27th and 28th July respectively, co-stars Kriti Sanon and Dhanush set the internet buzzing as they wished each other on social media, giving fans a glimpse of the fiery camaraderie brewing behind the scenes. Both National Award-winning actors, both Leos, and now both coming together in Aanand L. Rai’s next firecracker of a love story Tere Ishk Mein. As they exchanged birthday wishes, the duo was seen sharing never-seen-before pictures of each other from the sets of their upcoming film. This isn’t just a casting coup. It’s cosmic. Bold, passionate, and fierce: just like their sun sign, Kriti and Dhanush bring raw intensity and unmatched screen presence. Sparks are guaranteed. Emotions will erupt. And when these two fire signs lock eyes, you won’t be able to look away. Brace yourself. This isn’t love. This is combustion. Gulshan Kumar, T-Series, and Colour Yellow present Tere Ishk Mein, Produced by Aanand L Rai and Himanshu Sharma, Produced by Bhushan Kumar and Krishan Kumar. The film directed by Aanand L Rai and written by Himanshu Sharma and Neeraj Yadav, is an A.R. Rahman musical with lyrics by Irshad Kamil. Starring Dhanush and Kriti Sanon, the film is scheduled to release worldwide in Hindi and Tamil in November 2025.

Actor Varun Dhawan warmly welcomed his co-star Medha Rana, who is all set to make her big-screen debut with the much-anticipated film Border 2. Varun took to his Instagram story and wrote, “Welcome to the movies Medha #Border2”, expressing his support as she joins the ensemble cast of this powerful patriotic drama. Backed by a powerful production team including Bhushan Kumar, Krishan Kumar, J.P. Dutta, and Nidhi Dutta, and directed by Anurag Singh, Border 2 is presented by Gulshan Kumar & T-Series, in association with J.P. Dutta’s J.P. Films. This film continues the legacy of honouring the heroism and indomitable spirit of Indian soldiers, taking audiences on a spectacular journey of patriotism, courage, and sacrifice. Gear up for this monumental saga of patriotism and courage, as Border 2 storms into cinemas on January 23, 2026.

In the heart of Bandra, where tradition meets talent, the Bandra Gymkhana’s Got Talent 2025  unfolded like a musical love letter to the community. Under the dynamic leadership of Dr. Cheryl Misquitta , President of the Bandra Gymkhana, this year’s edition was more than just a talent show—it was a vibrant showcase of intergenerational expression, heartfelt performances, and community spirit. When Bandra Became Broadway From the moment the stage lit up, the energy was unmistakable. Kids, teens, and grown-ups poured their hearts into soulful renditions of Alicia Keys , Bryan Adams , Celine Dion , and even Queen . Whether it was an 8-year-old belting “How Far I’ll Go”  or a mature voice crooning “New York State of Mind” , the audience was taken on a journey of passion and musical finesse. And let’s not forget the instrumentalists! From Chopin to the Eagles, piano notes floated through the heritage hall, bringing nostalgia and cheer in equal measure. A Trophy Cabinet Full of Stars Here are just a few names that stood out among the many: Rehan Press  took top honors in the 16–20 years category and bagged the Dr. Cheryl Misquitta Trophy for Highest Scorer - Vocal  with “Don’t Stop Me Now”  by Queen. Kiann Mia Mascarenhas  wowed everyone with her piano medley and was awarded Highest Scorer - Instrumental . Joseph Vessoaker  was crowned Evergreen Performer  with a sax-powered rendition of “Tequila” . The youngest show-stealer? Reann Renton Coutinho , who melted hearts with “I Have a Dream”  by ABBA. From toddlers to timeless performers, the lineup was a beautiful reminder: talent doesn’t age, it only evolves.

When the International Emmy Awards' semi-final judging panel lands in your backyard, you know your country’s media industry isn’t playing second fiddle anymore. In 2025, Dr. Anurag Batra , Chairman of BW Businessworld and the force behind exchange4media, once again hosted the semi-final jury round in New Delhi , marking a second consecutive year of this global honor. India’s Emmy Moment: For years, India has been exporting talent and content, but moments like this prove we’re also exporting credibility . The International Academy of Television Arts & Sciences  placing its trust in Dr. Batra speaks volumes. Not only is he a media stalwart, but his growing influence positions him as a key connector between Indian storytelling and international recognition . The Jury Was No Joke: The 2025 panel featured a heavy-hitting lineup: Varun Mathur  (Connekkt Media), Ayaz Memon  (legendary sports voice), Savita Raj Hiremath  (Tandavfilms), and Derek Nyugen , the Emmy Judging Director himself. It’s more than names—it’s a signal that India is being trusted with cultural gatekeeping on a global level. Delhi & Mumbai: Dual Media Engines.  Interestingly, while Delhi handled the semi-final round for general categories, the Children’s Programming  semi-final was hosted in Mumbai . This twin-city setup shows the nuanced, genre-specific trust India now commands. Why This Matters (Especially to You): Events like these aren’t about red carpets or trophy photos. They’re about institutional credibility . India isn't just attending the global media table; we’re helping set the menu. For young Indian creators, this is motivation: if the jury room is in Delhi, your script could be next in New York. Conclusion: Dr. Batra’s presence isn’t ceremonial—it’s symbolic . He represents India’s transformation from consumer to curator of global media. And for 2025, that spotlight shines bright on Indian soil. Expect more jury rounds, more global nods, and yes—more Emmys with an Indian address.

In a sweeping crackdown on indecent content streaming, the Ministry of Information and Broadcasting (MIB), Government of India , has banned 21 Over-The-Top (OTT) applications  for allegedly hosting and distributing sexually explicit and obscene material in violation of Indian law. The banned platforms include ULLU, ALTT, Desiflix, Big Shots, Boomex, and Wow Entertainment , among others—many of which were popular in India’s Tier-2 and Tier-3 digital entertainment markets. According to the Ministry, these apps were found guilty of breaching several critical statutes, including: Sections 67 & 67A of the Information Technology Act, 2000  – Prohibiting the publication or transmission of obscene and sexually explicit content. Section 294 of the Bharatiya Nyaya Sanhita, 2023  – Addressing obscene acts and songs in public spaces. Section 4 of the Indecent Representation of Women (Prohibition) Act, 1986  – Barring the portrayal of women in an indecent or derogatory manner. These platforms reportedly streamed sexually explicit scenes, nudity, and provocative content with little to no artistic or narrative value , often exploiting taboo themes and inappropriate relationships. Several shows were accused of normalizing or glamorizing obscenity under the guise of adult entertainment. The full list of banned applications includes: ULLU ALTT Desiflix Big Shots Boomex Navarasa Lite Gulab App Kangan App Bull App Jalva App Wow Entertainment Look Entertainment Hitprime Feneo ShowX Sol Talkies Adda TV HotX VIP Hulchul App MoodX NeonX VIP Fugi Mojflix Triflicks All Internet Service Providers (ISPs)  across India have been instructed to block public access to these platforms with immediate effect . The Ministry has also coordinated with the Department of Telecommunications  to ensure swift compliance. This move underscores the government’s growing intent to regulate digital spaces and reinforce cultural and legal standards, especially in the wake of increasing concerns about unrestricted access to adult content by minors . While it has drawn applause from conservative quarters for "cleaning up the web," it also raises renewed questions around the blurry lines between censorship and creative freedom.

The official trailer for YRF’s WAR 2  is finally here — and it delivers a power-packed glimpse into one of 2025’s most awaited cinematic events. Starring Hrithik Roshan , NTR Jr , and Kiara Advani , the film promises adrenaline-fueled action, high-stakes espionage, and a visual spectacle across continents. Directed by Ayan Mukerji , WAR 2  is the next thrilling installment in the YRF Spy Universe. The trailer features jaw-dropping stunts, sleek car chases, and hand-to-hand combat sequences, as Hrithik returns as the enigmatic Kabir and NTR Jr makes a smashing debut in the franchise as a formidable rival. Kiara Advani brings elegance and impact in a mysterious new role. 🔥 Trailer Highlights: Intense Showdown:  Hrithik Roshan vs NTR Jr — two powerhouses in a global face-off. Spectacle-Driven Action:  Stylized fight choreography, big-budget set pieces, and global locations. Ayan Mukerji’s Vision:  A sleek, emotionally charged spy epic backed by cutting-edge visuals. Slated for release on August 14, 2025 , WAR 2  hits theatres in IMAX  and will release in Hindi, Telugu, and Tamil , amplifying its pan-India appeal. This Independence Day weekend, gear up for a cinematic war like never before!

Bollywood’s new wave isn’t just about acting chops — it’s about shredded physiques that could rival any Marvel audition tape. Vedang Raina, Ishaan Khatter, Rohit Saraf, Lakshya, and Ahaan Panday have undergone serious body transformations, and trust us, it’s not just for the ‘Gram. These Gen-Z heartthrobs are redefining what the Bollywood hero looks like — less macho caricature , more Greek god with emotional range . Vedang Raina  serves effortless charisma with his lean, sculpted frame — proof that YRF didn’t cast him by accident. Ishaan Khatter  holding that white horse? Straight out of a romance-action multiverse. The abs do their own acting. Rohit Saraf  is Mr. Nice Guy no more — the soft smile now comes with hard-core gym gains. Lakshya , bloodied and jacked in a BTS action still, screams: “Bollywood’s next action franchise? Sign me up.” Ahaan Panday  with that windswept mane and washboard abs is basically a photoshoot waiting to break the internet. Together, they’re not just body goals — they’re branding goals. These transformations aren’t vanity flexes. They’re calculated, disciplined, and timed perfectly with each actor’s upcoming cinematic leap. In a world where physicality meets strategy, these five are acting with their abs  — and we’re here for the show.

Streaming now on JioHotstar , Sarzameen  marks Kayoze Irani’s  debut as a feature filmmaker, produced by Dharma Productions  and Star Studios . With a cast headlined by Prithviraj Sukumaran , Kajol , and Ibrahim Ali Khan , the film blends family, patriotism, and ideological tension in a sleek, drama-heavy narrative. While it has moments of power and emotional depth, Sarzameen  often opts for the safe and the sentimental when it could’ve gone deeper and darker. The Performances Shine — Especially the Veterans Prithviraj Sukumaran  delivers a commanding performance as Brigadier Vijay Menon, bringing nuance and dignity to a role that might have easily slipped into caricature. Kajol , as always, is a grounding force. Her portrayal of Meher — a mother torn between her husband and a son lost to extremism — adds real weight to the emotional core. As for Ibrahim Ali Khan , this is clearly a better outing than his much-criticized debut in Nadaaniyaan . He’s committed, physically transformed, and more emotionally present — though one does wish the script had given him more complexity to play with. A promising improvement, but the writing keeps him at arm’s length from true intensity. Direction: Confident, but Over-Cautious For a debut, Kayoze Irani  handles scale and tone with assurance. The Kashmir backdrop is treated with care, the action sequences are well-composed, and the tension is well maintained for most of the first half. But where Irani plays it too cautiously is in the emotional resolution. Rather than explore the greys of radicalization, indoctrination, and the costs of loyalty, the film retreats to melodrama and monologues. The impact is softened, when it could have left the audience shaken. Writing & Dialogue: Serviceable, But Seldom Surprising The screenplay (by Irani, Soumil Shukla, and Arun Singh) is tidy — sometimes too tidy. Key moments feel manufactured rather than earned, and some of the dialogue veers into the overly didactic. One wishes the film had allowed its characters to speak more like people and less like mouthpieces for national messaging. Technical & Visuals: Glossy, Well-Packaged There’s no denying that Sarzameen  looks polished. The cinematography captures both military tension and domestic vulnerability with equal flair. The music and background score are stirring, though occasionally overused to dictate what the audience should feel. Subtlety, in these moments, would have made a bigger impact. Final Thoughts: Good Intentions, Missed Boldness Sarzameen  is not a bad film — far from it. It’s sincere, earnest, and tries to handle weighty issues with a sense of responsibility. But it plays too much within the lines. For a story about conflict, it chooses comfort too often. Still, it’s worth a watch for Prithviraj , Kajol , and a surprisingly solid Ibrahim Ali Khan. It’s also the kind of movie that will resonate with audiences who want their patriotism mixed with emotion and family values. But for those hoping Sarzameen  would break new ground in the nationalistic thriller space — this one’s a careful salute, not a bold statement. Streaming now on JioHotstar. Let us know your thoughts — is this a game-changer or just another well-meaning war drama?

While mainstream Bollywood blockbusters and South Indian commercial spectacles are locked in a perennial box office duel, a quiet but potent movement is unfolding off-screen. It’s happening in corners of the country where stories breathe without filters — where language, gender, and geography intersect in deeply rooted, raw narratives. It’s the world of Indian independent cinema  — and in 2025, it’s commanding attention at the world’s most prestigious film festivals. From Berlin to Busan, Toronto to Sundance, six remarkable Indian films — in Bengali, Malayalam, Assamese, Marathi, and Hindi  — are preparing to leave their mark. What binds them together is not their language or genre, but their commitment to truth. To lived experience. To filmmaking that listens, observes, and resonates. Let’s take a deeper look at these standout features: 1. Baksho Bondi (Bengali) Directors:  Tanushree Das and Saumyananda Sahi Festival:  Berlin International Film Festival At first glance, Baksho Bondi  (translated as “Boxed In”) may seem like a quiet domestic story — a woman in a small room ironing clothes. But under the surface, it pulsates with the silent power of lives caught in claustrophobic routines. Directors Tanushree Das and Saumyananda Sahi craft a minimalist masterpiece that speaks volumes with silence. The film centers around a working-class woman navigating the invisibility of household labor, emotional stagnation, and subtle rebellion. There are no melodramatic arcs here — just the weight of living a life tucked away behind walls, both literal and societal. Sahi, known for his documentary work and visual poetics ( Aise Hee , Remembering Kurdi ), brings an anthropological eye, while Tanushree Das infuses the narrative with a sharp feminist lens. Together, they deliver a film that feels like a whisper — but lands like a punch. 2. Guptam or The Last of Them Plagues (Malayalam) Director:  Kunjila Mascillamani Festival:  Busan International Film Festival (upcoming) With a title as evocative as Guptam or The Last of Them Plagues , director Kunjila Mascillamani invites us into a space of myth, trauma, and suppressed memory. Set in a post-pandemic Kerala, the film traces the psychological and emotional toll of catastrophe on women’s lives — perhaps even hinting at ecological grief, generational scars, or forgotten revolutions. Kunjila, a fiercely political voice in Malayalam cinema, is known for breaking narrative convention and pushing against patriarchal structures. Her storytelling is often poetic and surreal — a blend that works beautifully in this dream-like tapestry. With a cast led by Jeo Baby  (director of The Great Indian Kitchen ) and Kani Kusruti  (who won hearts in Biriyaani ), Guptam  promises layered performances and haunting imagery. Expect this one to linger long after the credits roll. 3. Village Rockstars 2 (Assamese) Director:  Rima Das Festival:  Berlin International Film Festival When Rima Das introduced us to Village Rockstars  in 2017, the world took notice. Shot single-handedly in her village in Assam using non-professional actors, the film won the National Award and became India’s official Oscar entry. Now, Das returns with Village Rockstars 2  — a continuation of that deeply personal world. The sequel picks up with new characters but retains the same earthy texture: rural children dreaming of music, navigating poverty, loss, and joy with startling resilience. Rima Das once again wears multiple hats — as writer, director, editor, and cinematographer — crafting cinema that is intimate, immersive, and unpretentious. More than a sequel, Village Rockstars 2  feels like a return home — not just for its characters, but for viewers longing for stories untarnished by spectacle. 4. Sabar Bonda (Marathi) Director:  Rohan Parshuram Kanawade Festival:  Sundance Film Festival Set against the quiet landscape of rural Maharashtra, Sabar Bonda  (loosely translated as “Patient Bond”) tells a delicate story of love — not loud or defiant, but subtle and real. The film revolves around two men who find refuge in each other under a tree, far from the noise of societal expectations. There are no grand declarations here, just moments of vulnerability and mutual understanding. Rohan Kanawade, best known for his short film U for Usha , is among the few Marathi filmmakers boldly exploring LGBTQIA+ narratives with dignity and restraint. In Sabar Bonda , his focus is not on conflict but on connection — making this film a rare gem in queer Indian cinema. Its Sundance selection underscores the international appetite for such tender, grounded storytelling. 5. Difficult Daughters Director:  Soni Razdan Festival:  Busan International Film Festival (upcoming) Actor-turned-director Soni Razdan steps behind the camera to helm Difficult Daughters , a drama that possibly draws inspiration from Manju Kapur’s landmark novel. While plot details are under wraps, the title and Razdan’s literary inclinations suggest a layered, intergenerational story set in the backdrop of Partition or post-colonial India. Known for her elegance and emotional intelligence as an actor, Razdan brings the same qualities to her filmmaking. Her film is expected to explore the internal lives of women who carry the burden of familial expectations, historical trauma, and self-discovery. This marks an exciting directorial turn for Razdan, with Busan offering the perfect stage to debut a nuanced, feminist historical drama. 6. Homebound (Hindi) Director:  Neeraj Ghaywan Festival:  Toronto International Film Festival (upcoming) Few filmmakers working in Hindi cinema today are as emotionally intelligent and politically aware as Neeraj Ghaywan. After Masaan  and his Ajeeb Daastaans  short Geeli Pucchi , Ghaywan has cemented himself as a master of the personal-political narrative. Homebound  appears to be a story of return — to childhood friendships, to one’s village, to a part of the self long left behind. Featuring two young men and what seems to be a carefree, nostalgic bond, the film may unpack themes of caste, migration, and the ache of urban dislocation. As always with Ghaywan, expect a slow burn — where every smile, silence, and sigh is loaded with meaning. India at the Crossroads of Global Indie Cinema What makes these six films extraordinary is not just where they come from — Assam, Bengal, Kerala, Maharashtra, or Mumbai — but what they represent: a new wave of Indian cinema . One that is fearless in its form, radical in its politics, and gentle in its touch. These films aren’t trying to compete with commercial cinema. They’re doing something much harder — redefining what Indian stories look and sound like  on the global stage. And in doing so, they’re opening the floodgates for regional, queer, feminist, and working-class voices to be heard. Whether it’s Berlin or Busan, Toronto or Sundance — India isn’t just attending these festivals. It’s arriving with purpose. And this time, the world is listening.